Check out some of Scott's music at these sites
Here's some info on the a couple of the great songs you'll hear:
725 - Scott sez, "Guitars are my PRS CE22 Mapletop (bridge humbucker setting, volume rolled off to about 9), for the main rhythm tracks using the POD 2.01 with a Marshall setting. I played a trick on myself and cut one track, then muted it completely and cut the other track. I then panned the results hard left and right (final mix is about 75% L for one and 75% R for the other). It was sorta tricky, but I had the drums so memorized from doing them the day before, it actually worked out very well. One cut for both - no overdubs needed. Not a perfect double - but lots of attitude and feel. Mixed in Hall Reverb at 10% wet after. I liked it. I then added a cleaner "texture" part using the PRS CE 22 Mapletop with the POD using a Matchless sound - my more "signature" tone. It is panned left about 25% and was done in stages. I would loop the section of the tune, write a new part, then track it and move on. Mixed in Hall Reverb at about 10% wet after I was happy. I then pulled out the PRS Custom 24, full neck humbucker setting, volume at 8. Into the POD with a older Marshall Bluesbreaker tone. Ran one track, liked a few parts. Ran another track and liked almost everything. Kept version 2 with small parts of the first version added here and there where needed. Result was really nice solo's that show my normal style of soloing - lots of space and short horn-like or vocal-like feeling parts. Panned dead center, Cakewalk Delay plugin at about 12% wet on these tracks only. "
Rain Shine - With Ariel Pozzo (slide guitar and solos). Scott sez, "For electric guitars, I used my PRS CE22 MT and SAS into a POD for most of the rhythm guitars. I used Vox, Matchless and Marshall tones throughout from the POD. My solos were with my Custom 22 with the POD on a Soldano setting with some delay. The acoustic is my Taylor 810S I always brag about to everyone. I am very happy with the results. I am proud of the tones on this one."